Originally posted: http://blogs.seattleweekly.com/dailyweekly/2011/06/a_brief_conversation_with_mich.php

By Keegan Hamilton

Just when you think the media coverage of real life superheroes has reached a critical mass (see: Jones, Phoenix), somebody goes and makes a feature-length documentary film about the entire subculture. That somebody is director Michael Barnett, and his movie, titled simply, Superheroes, screens tonight and tomorrow as part of the Seattle True Independent Film Festival. (It’s also been picked up by HBO, and premieres on cable August 8.) Barnett, who is in town and will make a cameo tonight at Central Cinema, was kind enough to offer his thoughts on costumed crusaders and, of course, the Phoenix Jones phenomenon.

Why did you decide to make a documentary about real life superheroes?
Probably the same thing that drew you to it. It was fascinating. I just sort of stumbled upon these adult men who are putting on costumes to fight crime and help their communities. I just couldn’t believe it was real.

What surprised you most about these people?
It’s really tough to generalize. Everybody was so different. I guess what surprised me most was, we sort of went out looking for this pop culture phenomenon and found so many of these guys — there are literally hundreds of them — so we had to weed through the ones who are just online personalities, doing it as a sort of a cosplay thing. Then we sniffed out the ones who are really doing things — Mr. Xtreme in San Diego, Zetaman in Portland, Dark Guardian and Life in New York, and Thanatos in Vancouver — and focused on them.

A lot of people’s first impression when you explain the concept of real life superheroes seems to be something along the lines of, ‘Those people are nuts.’ How did you try and normalize them, or rationalize what they do? Or did you even try to do that?
Our first approach was to try and make people realize that each person is sort of eccentric in their own way, and they have their own reasons for doing what they do. It’s not a rational thing to do, to put on a costume and walk around a dangerous neighborhood. A lot of these guys don’t have proper training to do that sort of thing — some do — but most don’t. And in some states the laws allow them to carry some pretty serious weapons.

The other thing is showing their situation in life. Quite a few of them don’t have the resources to do what they do. But they want to help their community. Some of them were sad — financially, personally, and just in general. But it’s showing that out of that darkness they could rise above and try to do something good. It’s not all cookies and rainbows, though, it’s profoundly sad and tragic on a certain level.

You interviewed Stan Lee — the Godfather of comics, and the and former president and chairman of Marvel — for the film. What was that like and what were his thoughts on these so-called superheroes?
Stan is the man. He’s amazing. He’s awesome. And he’s 88-years-old!

We thought about trying to interview all kinds of figures in the comic world but ultimately we realized there was only one person we needed to talk to and that was Stan. He understands what it means to be a superhero better than anybody. A lot of these guys (the real life superheroes) are very wary of the media and kind of protective of their community. But once they heard Stan was involved it was pretty easy to get them at least on the phone.

Mostly [Stan] was worried that one of these guys is going to get killed or injured. And yeah, somebody is probably going to get hurt. It’s going to be a sad day for the superhero community when that happens but it seems inevitable.

Phoenix Jones isn’t in the film at all. Why? And have you met the guy? What are your thoughts on him and his impact on the superhero world?
Never met the guy, never had a conversation with him. There’s so many of these guys and we were meeting them [Phoenix Jones] didn’t even exist yet. When we were shooting we rolled through the Pacific Northwest and never even heard his name. And then while we were in production he sort of came out of nowhere and was suddenly everywhere. So I don’t know what my opinion is. If he is just in it for the attention it’s a bad thing. But he is trying to be iconic, and for a message of good so that’s a good thing.

Superheroes screens tonight at 7 p.m. at Central Cinema, and Barnett will be in attendance, along with several members of Seattle’s superhero scene. (Barnett notes that two other Seattle superheroes, Skyman and White Baron, appear briefly in the film.) The movie also will also be shown tomorrow at 1:30 p.m. at the Jewelbox Theatre and the Rendezvous. Ticket info here.

Originally posted: http://blogs.westword.com/latestword/2011/07/superheroes_hbo_document_denver_wall_creeper.php

By Joel Warner

Real-life superheroes, those brave (and some would say foolhardy) folks who strap on costumes and battle evil wherever they can find it, are reaching media saturation. They’ve become a staple of nightly news stations, scored a lengthy shout-out in Rolling Stone, and one of them, a lone soul who goes by the Wall Creeper, was profiled in these very pages. Next up? Superheroes, a new documentary film by Michael Barnett, to premiere on HBO on August 8.

Barnett, part of the Denver– and San Francisco-based production company Rehab, spent a year traveling around the country filming masked vigilantes — in particular Thanatos in Vancouver, Mr. Xtreme in San Diego, Dark Guardian and Life in New York, and Zetaman in Portland. The resulting film, which was a favorite at this year’s Slamdance Film Festival in Park City Utah, goes above and beyond the typical tongue-in-cheek fluff pieces on the matter. As Barnett told the Seattle Weekly:

Our first approach was to try and make people realize that each person is sort of eccentric in their own way, and they have their own reasons for doing what they do. It’s not a rational thing to do, to put on a costume and walk around a dangerous neighborhood…The other thing is showing their situation in life. Quite a few of them don’t have the resources to do what they do. But they want to help their community. Some of them were sad — financially, personally, and just in general. But it’s showing that out of that darkness they could rise above and try to do something good. It’s not all cookies and rainbows, though, it’s profoundly sad and tragic on a certain level.

Unfortunately, those hoping to catch a glimpse of Denver’s own superhero, the Wall Creeper, are bound to be disappointed. Rumor has it that the Wall Creeper has been inactive for some time now. Still, maybe sooner or later the Wall Creeper or some other local legend will soon step out from the shadows, ready to confront evil and score some face time on premium cable.

Originally posted: http://houston.culturemap.com/newsdetail/10-28-11-a-look-at-low-tech-real-life-crimefighters-at-14-pews/

By Joe Leydon

They don’t have the super powers of Spider-Man, or even the firepower of The Punisher. But that doesn’t stop the real-life Superheroes of Michael Barnett’s fascinating documentary – which has its H-Town premiere Friday and Saturday at 14 Pews– from donning home-made costumes, strapping on gadget-stuffed utility belts and patrolling the meanest streets across America. Among those doing derring-do:

  • Mr. Xtreme, a San Diego security guard who moonlights as a crimefighter decked out in green helmet and dark goggles;
  • Zimmer, a proudly uncloseted avenger who prowls Brooklyn in the hope of attracting gay-bashers for his allies to dispatch;
  • Zetaman and Apocalypse Meow, a colorful married couple who dispense necessities to the homeless in downtown Portland, Ore.; and
  • Mister Legend, who drives his beat-up van through the moonlit streets of Orlando and offers aid to the downtrodden when not grabbing beers from his well-stocked ice chest.

Why do they do it? Many of them – including Lucid, a member of Zimmer’s backup team – simply believe the police and other professional law-enforcers are “completely unreliable.” But director Barnett, who spoke with CultureMap this week, thinks the motivations of these caped crusaders may be a bit more complex than that.

CultureMap: Were you surprised to find something that happened way back in 1964 – the infamous murder of Kitty Genovese, who was stabbed while her neighbors reportedly failed to intervene – motivated so many of the superheroes you interviewed?

Michael Barnett: Well, if you think about it, the case became bigger than the case. So, somewhere along the origin of this community [of superheroes], they began to rally around this case of Kitty Geonvese. And it became the defining case of modern apathy in America. They rallied around what the case meant as much as the specific case itself. Because apathy is their villain. So it’s a unifying thread among the community at large.

With these guys, there is no rulebook, there is no manifesto. They go out and be whoever they want and try to help the community in any way they see fit. It’s a real grassroots movement that may not galvanize, that may never get too organized, because the reason they do it is to make up their own rules.

CM: Were you ever worried while making Superheroes that one of these well-intentioned folks might get seriously hurt?

Barnett: Yeah, certainly. I mean, they’d do this anyway without the presence of a camera. But it’s always a concern that you might be creating a moment that wouldn’t exist if you weren’t there with the camera. And that moment may turn tragic.

The interesting thing with these guys is, it’s such a growing population that, inevitably, one of them is going to get hurt, whether there’s someone there with a camera or not. So, hopefully, the people who get into this understand the risk they are taking by choosing to become part of this community and putting themselves in these situations.

But, yeah, occasionally, we did get into some pretty hairy situations. Because, basically, we were shooting in America’s Skid Rows, across the country. Sometimes at 2 o’clock in the morning. It was unpredictable, to say the least.

CM: How did you find out about this amazing subculture?

Barnett: I just sort of stumbled across it on line. And, actually, I didn’t think it was true at first. I thought I’d just found maybe a couple of people who were doing this. But then we started doing a little research, and we quickly discovered that all you had to do is Google “superhero” to come up with a webpage with names of people doing this all over the country, along with news clips and magazine articles. I spent days perusing through it all, and ultimately became fascinated.

CM: How many of these guys do you think have been traumatized by some violence in their past?

Barnett: Actually, that’s one of the few commonalities that I found within the community. I usually don’t generalize, but I did find very quickly that most of these guys had some level of trauma or tragedy in their lives. And this is how that trauma or tragedy has manifested itself. They’re doing this, and getting over that – and possibly over-compensating by going in the opposite direction, and trying to find light in the darkness, if you will.

CM: Maybe they view becoming a “superhero” – even one without super powers – as a way of regaining control of their lives?  

Barnett: Possibly. We found some pretty dark souls out there. And to find them wanting to better themselves, to almost find therapy in doing this – it was fascinating.

CM: Were you ever tempted to tell any of these guys that, hey, maybe you’re not really cut out for this sort of thing?

Barnett: Well, some of these guys that we worked with are untrained, while others are very trained. I’m certainly concerned. I wish they all had a real-life superhero school that they could all go to. So that they could at least know how to handle a situation. So that, rather than inflame it, they could defuse it. Because that takes training – that’s not instinctive. If you don’t have training, then your adrenaline kicks in. And when that happens – people tend to make situations worse. That’s just human nature, you know?

CM: Just to make sure potential audiences understand – these guys aren’t like the Guardian Angels, right?

Barnett: They are and they aren’t. You could say [the superhero community] is an evolution of the Guardian Angels. I mean, the Guardian Angels started out small, and grew to something like 500 chapters. And it’s a really politicized movement now, with a lot of bureaucracy.

Some of these guys used to be part of the Guardian Angels, and they decided they wanted something with less bureaucracy, less rules. They wanted to be able to do it their own eccentric way. The Guardian Angels have a uniform method, and a rulebook, and politics and presidents and leaders. With these guys, there is no rulebook, there is no manifesto. They go out and be whoever they want and try to help the community in any way they see fit. It’s a real grassroots movement that may not galvanize, that may never get too organized, because the reason they do it is to make up their own rules.

CM: During filming, did you find yourself tempted to try some superheroics of your own?

Barnett: I have to say, I get asked that question a lot. And my answer always is: I’m a filmmaker. I want to tell stories. And I thought this was a fascinating story. It’s changed my life in profound ways to see these people – often times with no resources – put everything on the line in order to help other people. So I think I learned a lot from these real-life superheroes. But I’m not going to join them anytime soon.

CM: OK, we’ve talked about the possible dangers facing superheroes. But turn the question around: Ever worry one of these guys might get too carried away with their derring-do?

Barnett: Well, Phoenix Jones was arrested just last week in Seattle for pepper-spraying people.  He thought he was breaking up a fight, and he started pepper-spraying the crowd – and now he has assault charges against him. So, yeah, that’s overstepping the line. Once again, it goes back to, there’s no rulebook for these guys. They don’t have a set of guidelines. So you’re putting yourself in situations where you’re acting instinctively.

And in the case of Phoenix Jones – it was probably not the right protocol. He pepper-sprayed some girls. That’s not good. That’s not a good result. That’s not heroic. I hope the activities of a few superheroes won’t undermine the whole cause.

Originally posted: http://www.theepochtimes.com/n2/united-states/real-life-superheroes-strive-for-the-greater-good-256549.html

Dark Guardian patrols the parks in Brooklyn after the sun sets. He targets drug dealers peddling their goods where kids play. His approach is simple: He finds people selling drugs and tells them to leave—usually along the lines of “I know what you’re doing here. Get out, or I’m calling the police.” And they often do, grumbling and cursing as they go.

Things don’t always go so smoothly though, and Dark Guardian knows the people he’s dealing with. Sometimes shouts turn to threats, and at those moments, courage becomes a necessity. As a martial arts instructor by day, he knows how to defend himself, but punches and kicks can do little against bullets and knives.

“I’ve dealt with a whole bunch out there,” Dark Guardian said, but to him it’s worth the risk. He remembers the impact comic books had when he was growing up, and wants to pass the feeling on.

“I think it’s good for kids to look up and say, ‘This is someone who stands up for what is right. This is someone who helps others,’” he said.

Dark Guardian isn’t alone. There are hundreds of other Real-Life Superheroes across the country, although not all of them fight crime. Their roles range from bringing food, blankets, and clothing to homeless people; to visiting children’s hospitals so kids can meet a real superhero; to patrolling streets at night.

“I believe in the idea that every person has the potential to be Superman,” said Zetaman, a Real-Life Superhero who patrols in downtown Portland. “Despite any situation or financial woes, or anything else, it doesn’t exclude you from wanting to be a better person,” he said.

And he says that from his heart. As Zetaman admits, “I’m not exactly rich,” but he often buys food and supplies for homeless people. He and a team of other Real-Life Superheroes also held “Operation Treehouse” to buy toys for foster kids.

Zetaman is known for his blue costume—painted riot gear with a large white “Z” on the front. He goes out without a mask, which he believes makes his actions a bit easier for others to understand
Becoming Superman

Just like in the realm of fictional superheroes, Real-Life Superheroes are defined by their costumes. Dark Guardian is more discreet, wearing what looks like leather biker clothes—only with a bulletproof vest with stab plating underneath. Costumes typically have utility belts to top it off, often with first-aid kits and pepper spray.

Their costumes get mixed reactions. This ranges from news anchors giggling about the guy wearing tights and a cape, to homeless people who had a visiting superhero help them stay warm through the winter.

But the costumes are important to what they do.

“The persona that you present is a tool,” said Night Owl, who often patrols with Zetaman. Night Owl said that while you can still do respectable and heroic things wearing a tee shirt, when you put on a costume, “It’s to draw attention to your actions.”

“What we’re trying to accomplish, outside tangible results, is to create a larger shift in the mindset in not only America, but the world—toward taking up the mission and the cause of saying we are responsible for our home, where we live, and the people around us,” he said.

Night Owl is a trained EMT and works as a firefighter, and spent time in Iraq working as a firefighter contractor.

He said that being a Real-Life Superhero isn’t nearly as exciting as being overseas. “The truth is, it’s actually kind of boring,” he said, noting that it’s not very often someone witnesses a crime taking place. When he and his team go out, they often research ahead of time where there are homeless people or where citizen patrols are needed.

People often ask him why he doesn’t just join law enforcement, which makes him laugh, since he already works in the field. “This was a way to raise the bar,” he said, noting that “you don’t have to go out there and become a professional law enforcement officer to do something that is good for your community.”

Night Owl said that with Real-Life Superheroes as a whole, “At a deeper level, what rests behind their masks and bulletproof vests is a belief that people can become something more.”

Uniting the Superheroes

Bringing the community together is Life—the Real-Life Superhero equivalent of Nick Fury, head of the fictional superhero group, The Avengers. Life and his friend, Cameraman, founded Superheroes Anonymous in 2007. The nonprofit organization finds and unites Real-Life Superheroes around the world. The two joined the movement when they were film students making a film about Real-Life Superheroes.

“What I saw was a bunch of great people who were very dispersed throughout America and the world. They never had one gathering or meeting to inspire or support one-another,” said Life, who often holds Real-Life Superhero workshops in Brooklyn.

He noted that Real-Life Superheroes usually only get recognized by the press and police as individuals, “and they would kind of write it off as ‘and here’s a guy who thinks he’s a superhero.’” They needed a face, and a way of showing there are many like them.

Although it wasn’t his intention, Life has become the face of the movement—and he does this well. He’s one of the more dapper fellows of the bunch. He typically wears dress clothes with a tie, vest, and fedora; and with a domino mask to top it off. His superhero name is based off his real name, Chaim, which is derived from “L’Chaim,” a Hebrew toast meaning “to life.”

Being a nonprofit enables the group to get donations when they go to help homeless people or raise money to donate toys to kids, and he notes, “People are actually recognizing Real-Life Superheroes as a movement.”